Garry Sweet and 6 GoPros (VR experience)

If we follow the 'evolution' or even 'revolution' (according to Fujifilm) of storytelling through imaging - both cinematography and photography - camera technology, like fast food, has become dense, cheap and convenient...... but has much really changed aside from more pixels in a smaller body? 

We still look at one frame, on a passive display; this is beautiful, but very familiar. Conventional imaging doesn't push the boundaries of what the medium could offer.

EvolutionofPhotographyFujifilm

It's time to think outside the box...or at least the frame.

Watch this experience on your phone in YouTube and move your phone around.

GoPro Kolor Mount

Whilst conventional cinematography or photography prides itself on the art of framing, the 360 VR medium gives a full immersive experience to the viewer, giving freedom from the frame.

A VR cinematographer must then use motion, screen vectors, light and mise en scène to not only direct the viewers attention on screen, but around the entire 360 environment.

This technology hasn't had a mass uptake yet, however with YouTube, and recently Facebook both making 360 video native, the medium is ready to go to the masses.

On the 9th of September under a bridge in Melbourne, Gyton Grantley (Director), Gary Sweet, Donal O'Keefe (Camera) and myself (Sound Engineer) shot a 360 degree VR experience. 
 

Frame Grab from one of the 6 GoPro's - Copyright Gyton Grantley and Donal O'Keefe

You, the viewer have been kidnapped in this short as you're interrogated and  asked questions... which you can't answer because you're a mute.

To achieve this, the 6 Gopros mounted on a Kolor rig was then placed on a mono pod and stuffed down the head of a manikin.

I was the sound engineer, which becomes increasingly difficult when you need to record 360 degrees, outdoors with moving, shouting, fighting actors. So this made the shoot quite fun.

Four Wireless Sennheiser lapel microphones were attached to the actors, being recorded into a Zoom H6. Whilst a Zoom H2H4 and multiple condenser microphones were hidden on the body of the manikin. Folly was then later recorded of flapping pigeons, overpassing trains, rustling trees and the gushing river to give a binaural soundscape. 

Filming is to continue into the year, but for now we're testing the waters of what's possible with VR technology.

Australian Directors Guild Awards 2015

The annual ADG Awards - held at the Melbourne Sofitel in 2015 - celebrates the outstanding achievements and contribution by Australian Directors in the fields of film, television and new media platforms.

Mark Poole - documentary film-maker, ADG Chapter Head and RMIT lecturer/academic - required a team to create video packages of the awards ceremony and vox pops for further promotion of the ADG.

My role included organizing, hiring equipment, producing a creative plan, production, interviewer/presenter at the ceremony, editing, creating motion graphics, colour grading, producing and delivering the content in various formats for distribution. 

The team included Mollie Cowell and Sarah Petrie who acted as the camera crew and gaffer for the night. Mollie Cowell, also had a great knowledge of Australian Cinema Auteurs, which was exeptionally useful in pointing out important attendees. 

It was an honour and thrill to converse, question and laugh with Australia's best directors in the industry.

Paraplegic Chaplin (Ben Winwood) - Documentary

April Fools 2014 was no laughing matter. 

Ben Winwood was on his way to Lilydale High School in Tasmania and in a split second his car flipped, rolled and landed 30 meters from the embankment.

I've known Ben for a large part of my life; a bubbly, energetic and faithful friend. There were so many stories I wish I could have included, from Ben's 'Para'dies (Paraplegic Parodies to the tunes of Disney Theme Songs) to his next challenge of doing the Balfour Burn (an intense uphill race).

Whilst in hospital Ben created this tablet art, which en'capsule'ates Ben Winwood's sense of humour... 

Whilst in hospital Ben created this tablet art, which en'capsule'ates Ben Winwood's sense of humour... 

He's sensitive, insightful, wise and he knows how to appreciate any situation.  It's hard to tell his story in only two minutes, there are so many laughs, tears and encouraging words that come from this man's mouth. I hope however the essence - the sheer beauty of his hope - is told well in these 2 minutes.

So thank you Ben for letting me intrude on your life for three days with a movie camera and questions galore.  

This film was created over the 27-30th of June for Still Motion's #usemuse competition, which sends three storytellers to Uganda for a week in hope that they might craft a moving narrative about OneGirl's work.